THE PLEASURE WAS ALL MINE
       
     
ALL THE YELLOW LEAVES (with S) (October) (Bethany)
       
     
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SIGNS AND WONDERS (1997 and 2022) (with A and S) (Mexico City)
       
     
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THE WITCHING HOUR (with K and A) (Brooklyn)
       
     
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SNAKE CHARMER (October 31) (Day of the Dead) (Oaxaca)
       
     
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PARTLY CLOUDY WITH A CHANCE (M's basement) (Washington DC)
       
     
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THE FUTURE HAS AN ANCIENT HEART (2)
       
     
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L'INCONNU (P's window) (after the rain) (Philadelphia)
       
     
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BLACK AND BLUE (Chattanooga nights)
       
     
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EYES OF THE SKIN
       
     
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MY HEARTBEAT, YOUR DRUM BEAT (North Adams)
       
     
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THE PLEASURE WAS ALL MINE
       
     
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THE PLEASURE WAS ALL MINE

Whitespace gallery

October 6 - November 25, 2023

ALL THE YELLOW LEAVES (with S) (October) (Bethany)
       
     
ALL THE YELLOW LEAVES (with S) (October) (Bethany)

All hand dyed wool felt, wool yarn, silk habitat, silk organza, natural black clay, branch, silk thread, cotton thread, wood stain and root ball

80” x 35” 10”

2023

“If we opened people up, we’d find landscapes” - Agnes Varda

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SIGNS AND WONDERS (1997 and 2022) (with A and S) (Mexico City)
       
     
SIGNS AND WONDERS (1997 and 2022) (with A and S) (Mexico City)

Ceramics, raku, hand spun and hand dyed yarn from loom waste, hydrocal, linen, vintage feather flowers, crow wings, pheasant wing, wish bone, snake skin, snake bones and mixed media

2023

Hand cast hands and feet with slip cast hearts based on milagros and ex-votos in Mexico City and New Orleans.

Secrets and wishes were written on paper and placed inside of the cast hearts before being burned in the raku clay process.

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THE WITCHING HOUR (with K and A) (Brooklyn)
       
     
THE WITCHING HOUR (with K and A) (Brooklyn)

Natural black clay, wood branch, paint, and cotton thread

56” x 23” x 12”

2023

One for the blackbird, one for the crow,

One may die, and one will grow.

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SNAKE CHARMER (October 31) (Day of the Dead) (Oaxaca)
       
     
SNAKE CHARMER (October 31) (Day of the Dead) (Oaxaca)

Porcelain, metal, and wool thread

25” x 25”

2023

A sculpture made of 108 slip cast snake vertebrae pieces. This is made from a 3-D rendering and print of snake vertebrae from snakes that I had 30 years ago.

The number 108 is nature’s secret code and Dharmic religions consider the number to be the distance of a person to God.

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PARTLY CLOUDY WITH A CHANCE (M's basement) (Washington DC)
       
     
PARTLY CLOUDY WITH A CHANCE (M's basement) (Washington DC)

Vintage kimono silk thread, linen thread, hand dyed linen thread and ceramics

2023

50” x 42” 6”

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THE FUTURE HAS AN ANCIENT HEART (2)
       
     
THE FUTURE HAS AN ANCIENT HEART (2)

Shoe strings, cast resin snake, thread, wool felt, hand dyed wool yarn, painted canvas, metal, gourds, and mixed media

2023

The ancient craft of weaving nets and webs is one of the oldest tools and is also what allowed us to land on the moon.

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L'INCONNU (P's window) (after the rain) (Philadelphia)
       
     
L'INCONNU (P's window) (after the rain) (Philadelphia)

Hand blown glass, glass beads, filament, and curly maple

2023

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BLACK AND BLUE (Chattanooga nights)
       
     
BLACK AND BLUE (Chattanooga nights)

Black bed sheets, pillowcases, pillows, hand dyed wool yarn, cotton, and mixed media

2023

“Don’t you worry I surrender

Days are long and life’s a bender

Still I know that

Tender is the Night.”

-F. Scott Fitzgerald

Bedsheets act as silent witnesses to many natural processes in life such as birth, puberty, pleasure, disease, decay, and death. Cloth is always touching us. Bedsheets can become a material on which to literally or metaphorically write our meanings and messages to the world.

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EYES OF THE SKIN
       
     
EYES OF THE SKIN

Ceramic, rope, and cotton thread

2023

Almost a thousand life cast fingers from various people. From a practice rooted in a sense of touch. Like hands, they care, they work, they feel, they signal, they manipulate the world.

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MY HEARTBEAT, YOUR DRUM BEAT (North Adams)
       
     
MY HEARTBEAT, YOUR DRUM BEAT (North Adams)

Ceramic, cotton, and hand dyed wool yarn

2023

A study made in the shape of a Korean drum and the idea that iambic pentameter sounds just like a heart beat.

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THE PLEASURE WAS ALL MINE
       
     
THE PLEASURE WAS ALL MINE

Whitespace gallery

2023

Many questions arise from human universals. Human beings share the need for protection, the drive for connection, and the pleasures of touch. We are toolmaking, problem-solving animals, and social, sensory creatures. Cloth embodies all of these characteristics. The story of textiles is cumulative and shared, a human story, a tapestry woven from countless different threads. Working with textiles, found objects, and clay, I investigate themes of identity and memory in my interior and shared life. I have become intrigued by the power of the ordinary, the strong emotions that are evoked and sustained by anything as simple or complex as a shared experience, a vivid color, a dear person seen again, or a new landscape never seen before. Such things taken seriously, will reveal their unexpected significance and bring a sense of the extraordinary to the ordinary.

This exhibit is dedicated to the small things in life often overlooked in the grand scheme of things that can shape and contribute to major events in our life. Some of the stories the objects tell are of chance encounters or can present possibilities of a completely new way of thinking or appreciation of the mundane. These sculptures bring together a narrative as I follow the trail of the self through everyday life, gather memories and traces, work with materials and fragments, and interweave loose threads before the memory or story is forgotten.

The narrative presented in the pieces takes the viewer from the silent witness of a bedsheet to the myth of Arachne and the webs that all things share.

Artifacts of imagination, arranged in patterns and layers, each on their own and in conjunction with others evoke a container of secrets, entanglements, and a space where knowledge converges and condenses. Here are fragilities to be protected, meaning carried, woven, transformed, and shared.

This exhibit shows heightened attention to intimate connections and portraits of friends and places. The sculptures bring an intimate and emotional sensibility to the foreground while suggesting visual cues that bring you to another time and place. Every work represents a person or place from the past couple of years that have been in the artist’s life.

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